![]() ·Table of Contents ·Materials Characterization and testing | Photoluminescence of synthetic and natural Materials for Industry and HandicraftD. Ajò,F. De Zuane, L. Maini, G. Pozza,ICTIMA, CNR - C.so Stati Uniti, 4 - 35127 PADOVA (Italy) L. Armelao, CSSRCC, CNR - Via F. Marzolo, 1 - 35131 PADOVA (Italy) S. Carbonin, Dip. di Mineralogia e Petrologia, Università degli Studi - Corso Garibaldi 37 - 35137 PADOVA (Italy) Contact |
Fig 1: schematic view of the PL apparatus. |
This apparatus is equipped with a versatile sample-holder, designed for the investigation of samples with any shape (even irregular), within a large range of size (from a few hundredths of a millimeter to several centimeters), as it can be seen in Fig. 2.
Moreover, the sample holder can be moved along the xyz directions, keeping untouched the optical alignment. Raw materials (as a sapphire in its mother rock [1] or a plant leaf [4]) and finished objects such as a Sumerian seal [2] or an artistic goblet [3] can be studied without any preliminary treatment.
In the case of heterogeneous materials, a mapping can be carried out by repeating the measurement in different points of the sample, with a resolution of a few tenths of a millimeter.
Fig 2:PL "heavy" apparatus during the analysis of a bottle's glass.
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Fig 3: the new spectrometer equipped with the CCD detector. |
I)Works of art :
The identification of materials, in particular pigments, used in works of art (frescoes, sculptures, etc.) is important for art's history, and it also may help in choosing the most suitable materials for restoration [2, 4, 5].
In most cases several complementary techniques are used, the present tendency being toward non-destructive or at least micro-destructive (i.e. requiring a very small sample) methods.
Many blue pigments found in frescoes or other objects have been investigated by means of PL spectroscopy [2, 4].
Problems of interpretation can arise when the luminescent centers of a certain material are not necessarily associated to the colour, as in the case of the blue rock called "lapis lazuli" and its main mineral, lazurite.
Moreover, spectral PL assignment could be a complicate task, since a single raw material is often made of different phases, and final products could be made in turn of several raw materials, as in the case of the Maya blue (a synthetic pigment developed by the Mayas around
the VIII century A.D.) [4].
II) Gems :
Jewelry represents a peculiar class of handicraft [1, 6], in which gems often play a primary role. These can be made of minerals (sometimes subjected to physical or chemical treatments), or imitations, or synthetic analogues, having chemical composition and many physical properties very similar to the ones of the natural gemstones.
PL spectra of natural rubies and of most natural sapphires (varieties of corundum, namely Al2O3) exhibit in general a well resolved line system, related to Cr+3. Many imitations, widely used even for important jewels, consist of natural spinels (MgO.Al2O3), having markedly different spectral features.
As a matter of fact, although some properties (colour, refractive index) of many gems can be reproduced by synthesis, PL spectroscopy allows to distinguish not only between similar gems, but sometimes also between minerals and their synthetic analogues.
The use of PL spectroscopy, possibly through "tracing" metal ions, is specially advisable for the investigation of mounted gems or jewels of unusual shape or size [6].
III) Industrial products :
Fig 4: PL spectra of three samples of glass containing different amounts of Fe2O3:(a) 0.034%, (b) 0.038%, (c) 0.069%. |
Fig 5: PL second order's spectra of a ruby (a) and a synthetic crisoberyl (b). |
Fig 6: schematic view of the Verneuil's apparatus: (1) mechanism for the flow of the powder, (b) flame, (c) mechanism for lowering the growing crystal. |
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